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Salon.com December 6, 2002 Andrew O'Hehir |
"Adaptation" A dizzying feature from the self-consciously deranged makers of "Being John Malkovich" imagines Nicolas Cage as a chronic masturbator and Meryl Streep as a mean, mean Susan Orlean. |
Salon.com December 6, 2002 Charles Taylor |
"Analyze That" The mobster-shrink sequel cracks wise for 15 minutes then puts on a pair of concrete shoes and takes comedy out for a cruise. |
Salon.com December 6, 2002 Stephanie Zacharek |
"Empire" This crime drama about a dealer who dips into high finance will rob you of something more precious than drugs: Your time. |
Salon.com December 5, 2002 Stephanie Zacharek |
"El Crimen del Padre Amaro" Just like its naughty priest, the biggest movie in Mexico is so taken with the heaving breasts of its leading lady that it can't think straight. |
Salon.com December 4, 2002 Laura Miller |
"The Matrix and Philosophy" by William Irwin, ed. Philosophers tackle the mind-bending questions posed by the science-fiction hit "The Matrix," and come up with some surprisingly deep thoughts. |
Salon.com December 3, 2002 Laura Miller |
A "Fellowship" for fanatics Why the Eye of Sauron was the bane of Peter Jackson's life, and other knowledge I gleaned from the extended DVD of "The Lord of the Rings: The Fellowship of the Ring." |
Salon.com November 27, 2002 Andrew O'Hehir |
"Solaris" Sure, it might not have a plot, but Steven Soderbergh's sci-fi reverie floats through space on a cloud of pure cinema. |
Salon.com November 27, 2002 Jeff Stark |
"Personal Velocity" Rebecca Miller's debut movie is warm and agreeable -- too bad her three female protagonists are all victims fleeing bad, bad men. |
Wired December 2002 Gary Wolf |
Solaris, Rediscovered Stanislaw Lem made hard science and deep philosophy into some of the greatest science fiction you've never seen. Now his classic Solaris is getting the Hollywood treatment. |
Salon.com November 25, 2002 Sarah Coleman |
The 9/11 movie Hollywood won't let you see The "stridently anti-American" anthology film "11'09"01" is sometimes arty, sometimes preachy and sometimes brilliant. In Bush's America, it's also commercially untouchable. |
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