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culturevulture.net Karren L. Alenier |
Satyagraha Beg, borrow, or steal to see this production of Phillip Glass's Satyagraha. This is historic and anyone who experiences this ENO/Met production will walk away with a completely new vision of opera.  |
culturevulture.net Nancy Wozny |
Last Acts Frederica von Stade is reason enough to show up at Jake Heggie's tailor-made-for-her opera Last Acts, which recently premiered at Houston Grand Opera.  |
culturevulture.net Harvey O'Brien |
The Marriage of Figaro This is a sprightly production of The Marriage of Figaro at The Gaiety Theatre in Dublin, Ireland, directed by Marc Adam and re-staged by Pascale-Sabine Chevroton.  |
culturevulture.net Harvey O'Brien |
Ariadne Auf Naxos Ariadne Auf Naxos is a thought-provoking production. It is not pleasurable in the strictest sense, though there are pleasures in its provocations. It represents a unique moment in Opera history, well worth appreciating.  |
culturevulture.net Suzanne Weiss |
Madama Butterfly The production itself is user-friendly, streamlined, fast-moving and good looking to a fault. But the big news here is the tenor.  |
culturevulture.net Suzanne Weiss |
The Rake's Progress The transfer to convey the Faustian morality tale to contemporary audiences not only works, it enriches it.  |
culturevulture.net Suzanne Weiss |
Macbeth San Francisco Opera has lucked out this season.  |
culturevulture.net Harvey O'Brien |
Turandot The current production of Turandot is a triumphant return for Opera Ireland to the refitted Gaiety Theatre, and the acoustics have never sounded better.  |
culturevulture.net Suzanne Weiss |
La Rondine Two lovely ladies make a rare appearances on the San Francisco Opera stage in Giacomo Puccini's least known, rarely performed La Rondine (The Swallow).  |
culturevulture.net Karren L. Alenier |
A View from the Bridge Based on Arthur's Miller's play by the same name, this is a compelling work that is enjoying its seventh production by Washington National Opera.  |
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