| Current Theater & Musicals Articles |
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culturevulture.net
Suzanne Weiss |
Figaro It's the best two-fer in town. For the price of one ticket you get a play and an opera -- and both are fantastic.   |
culturevulture.net
Suzanne Weiss |
The Curse of the Starving Class Nobody writes dysfunctional families better than Sam Shepard, and this story has a creepy resonance in the economy of today. |
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Patricia Humea |
33 Variations The production recently won the American Theatre Critics Association's 2008 New Play Award and deserves to be awarded a lot more prizes in the future. |
culturevulture.net
Harvey O'Brien |
The Deep Blue Sea Dublin's Gate Theatre offers a very well rendered of Terence Rattigan's The Deep Blue Sea, and draws excellent excellent performances, especially from Ingrid Craigie as Hester. |
culturevulture.net
Nina daVinci |
Macbeth This production of this Shakespeare classic is perfect in each detail, and for all the ghoulishness of the play, is not without humor. |
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Nina daVinci |
Almost an Evening; The Seagull; Ghosts Four, tangentially related brief and wry skits... Far and away the best theater of a rich season... A commendable production by an ambitious company... |
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Patricia Humeau |
The Glass Menagerie It is hard not to have high expectations when you go see one of the most renowned of American plays, but with the help of a great group of artists, the Old Globe Theatre pulls through. |
culturevulture.net
Karren L. Alenier |
Liz Lerman Dance Exchange Undoubtedly, Ferocious Beauty will receive many more productions and is worth the time to see and think about, but it isn't great dance. |
culturevulture.net
Michael Wade Simpson |
Anna Halprin: At the Origin of Performance A conversation with Anna Halprin about the exhibition showcasing her life and work currently at the Yerba Buena, California, Center for the Arts. |
| culturevulture.net |
Sfscene Dance performances in San Fransisco in April 2008: Doug Varone and Dancers... InkBOAT's c(H)ord... |
culturevulture.net
Michael Wade Simpson |
For the Record: Dancers Debate the Body Politic Choreographer Sarah Shelton Mann discusses her new show at San Fransisco's Project Artaud Theater. |
Wired
April 21, 2008
Sonia Zjawinski |
Broadway Shows We'd Pay to See: Aliens, The Tipping Point, Slashdot, and More! First Hollywood discovered geeks. Now with Spamalot, Young Frankenstein, and The Lord of the Rings, it's Broadway's turn. But they've only scratched the surface. Here are a few more productions we'd actually buy tickets for. |
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