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TIME Europe May 6, 2009 Carla Power |
Past Master: Stephen Sondheim As globo-spectacles like Mamma Mia! and Beauty and the Beast crowd out daring new artworks, "where," ask these anxious theatergoers, "are the young Sondheims?"  |
culturevulture.net Beverly Berning |
Ballerina (2009) After the surprising success of the 2005 documentary Ballet Russes, Ballerina must be hoping for a similar outcome, and so it should, considering not only ballet's devoted fan base  |
culturevulture.net Theodore Bale |
Not Just a Girl in a Black Hood "The Objectification of Things" offers a thrilling night of dance-theater from Michelle Ellsworth and her two young dancers, Jessica Meeker and Erika Randall.  |
culturevulture.net John Sullivan |
San Francisco Ballet Program 5 As you leave the Opera House and step out onto the street, you'll simply feel like dancing.  |
TIME Europe March 19, 2009 Alex Perry |
Ian McKellen: The Player McKellen has been thought of as one of the world's great actors for more than half his life. But in the last decade, he has also transformed himself from a strict stage thespian -- highly rated, seen by very few -- into a big screen star.  |
culturevulture.net Michael Wade Simpson |
Martha Graham Dance Company Because of the committed performances of this company of believers, Martha Graham lives on.  |
culturevulture.net Suzanne Weiss |
San Francisco Ballet San Francisco Ballet offered something for the funny bone and something for the heart in its fourth program offering of the 2009 season.  |
culturevulture.net Theodore Bale |
Mostly Modernity Three contemporary choreographers take on Mozart in Boston.  |
culturevulture.net Joseph Campana |
Joe Goode Performance Group Goode is a serious and seriously playful artist tangled up in uncertain times in which both art and sexuality are provocatively and dangerously up for grabs.  |
culturevulture.net Suzanne Weiss |
Crime and Punishment To condense Dostoevsky's massive tome and all of its varied ideas into a 90 minute play would seem to be an impossible task, but the new adaptation at the Berkeley Rep seems to have done it - and very well.  |
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